Pop Art Essay

Campbell’s Soup Can,
1961-2

Andy Warhol

7 cm), MOMA” alt=”Gold Marilyn Monroe, 1962.
Silkscreen ink on synthetic polymer
paint on canvas, 6′ 11 1/4″ x
57″ (211.4 x 144.7 cm), MOMA”>

Gold Marilyn Monroe, 1962.

Silkscreen ink on synthetic polymer
paint on canvas, 6′ 11 1/4″ x
57″ (211.4 x 144.7 cm), MOMA

Andy Warhol

Green Marilyn, 1962
silkscreen on synthetic polymer paint on
canvas, 50.</p data-lazy-src=

8 x 40.6 cm (20 x 16 in.),
NG Washington”>

Green Marilyn, 1962
silkscreen on synthetic polymer paint on
canvas, 50.8 x 40.

6 cm (20 x 16 in.),
NG Washington

Andy Warhol

Marilyn Diptych, 1962, Acrylic on canvas
support (each): 2054 x 1448 x 20 mm, Tate

Andy Warhol

Green Coca-Cola Bottles, 1962
Oil on canvas, 6 ft 10 1/4 in x 4 ft 9 in
Whitney Museum of American Art, New York

Andy Warhol

Green car crash, 1962 serigraphy
and pencil on canvas, 213,4x208,3
cm private collection

Green car crash, 1962 serigraphy
and pencil on canvas, 213,4×208,3
cm private collection

Andy Warhol

Suicide (fallen body), 1963 -
serigraphy and aluminium paint on
canvas, 284,5x203,8 cm - private
collection

Suicide (fallen body), 1963 –
serigraphy and aluminium paint on
canvas, 284,5×203,8 cm – private
collection

Andy Warhol

Elvis, 1963
synthetic polymer paint
screenprinted onto canvas
415, p.</p data-lazy-src=

379
208.0 (h) x 91.0 (w) cm, NG
Australia” alt=”Elvis, 1963
synthetic polymer paint
screenprinted onto canvas
415, p. 379
208.

0 (h) x 91.0 (w) cm, NG
Australia”>

Elvis, 1963
synthetic polymer paint
screenprinted onto canvas
415, p. 379
208.0 (h) x 91.

0 (w) cm, NG
Australia

Andy Warhol

Orange Disaster #5, 1963.
Acrylic and silkscreen
enamel on canvas, 106 x 81
1/2 inches.</p data-lazy-src=

Solomon R.
Guggenheim Museum” alt=”Orange Disaster #5, 1963.
Acrylic and silkscreen
enamel on canvas, 106 x 81
1/2 inches. Solomon R.

Guggenheim Museum”>

Orange Disaster #5, 1963.
Acrylic and silkscreen
enamel on canvas, 106 x 81
1/2 inches. Solomon R.
Guggenheim Museum

Andy Warhol

Brillo Boxes, 1970 (enlarged
refabrication of 1964 project)
Commercial silkscreen inks on industrially
fabricated plywood box supports, Each:
20 x 20 x 17 in. (50.8 x 50.</p data-lazy-src=

8 x 43.2
cm), Allen Memorial Art Museum” alt=”Brillo Boxes, 1970 (enlarged
refabrication of 1964 project)
Commercial silkscreen inks on industrially
fabricated plywood box supports, Each:
20 x 20 x 17 in. (50.8 x 50.

8 x 43.2
cm), Allen Memorial Art Museum”>

Brillo Boxes, 1970 (enlarged
refabrication of 1964 project)
Commercial silkscreen inks on industrially
fabricated plywood box supports, Each:
20 x 20 x 17 in. (50.8 x 50.

8 x 43.2
cm), Allen Memorial Art Museum

Andy Warhol

9 x 60.8 cm
Purchased 1973
National Gallery of
Canada” alt=”Birmingham Race Riot,
1964, serigraph on
Bristol board, with
japan paper borders
50.9 x 60.8 cm
Purchased 1973
National Gallery of
Canada”>

Birmingham Race Riot,
1964, serigraph on
Bristol board, with
japan paper borders
50.

9 x 60.8 cm
Purchased 1973
National Gallery of
Canada

Andy Warhol

1964. 16mm film, black and white, silent,
8 hours, 6 minutes (approx.), MOMA” alt=”Empire. 1964.

16mm film, black and white, silent,
8 hours, 6 minutes (approx.), MOMA”>

Empire. 1964. 16mm film, black and white, silent,
8 hours, 6 minutes (approx.

), MOMA

Andy Warhol

Look Mickey, 1961
oil on canvas, 121.9 x
175.</p data-lazy-src=

3 cm (48 x 69 in.)
NGA Washington” alt=”Look Mickey, 1961
oil on canvas, 121.9 x
175.3 cm (48 x 69 in.

)
NGA Washington”>

Look Mickey, 1961
oil on canvas, 121.9 x
175.3 cm (48 x 69 in.)
NGA Washington

Roy Lichtenstein

Blam, 1962, oil on
canvas, 68 x 80 in,
Yale University Art
Gallery, New
Haven

Roy Lichtenstein

7-UP, 1961
Enamel on plaster-soaked cloth on wire
55 x 39 1/4 x 5 1/2 in.</p data-lazy-src=

, Hirshhorn” alt=”7-UP, 1961
Enamel on plaster-soaked cloth on wire
55 x 39 1/4 x 5 1/2 in., Hirshhorn”>

7-UP, 1961
Enamel on plaster-soaked cloth on wire
55 x 39 1/4 x 5 1/2 in., Hirshhorn

Claes Oldenburg

Soft Typewriter, 1963

Claes Oldenburg

“>

Soft Bathtub (Model)—Ghost
Version,1966
acryllic and pencil on foam-filled
canvas with wood, cord, and
plaster, Hirshhorn Museum,
Washington, DC.

Claes Oldenburg

Lipstick (Ascending) on Caterpillar
Tracks, 1969-74, Cor-Ten steel, steel,
aluminum, cast resin; painted with
polyurethane enamel, 23 ft.</p data-lazy-src=

6 in. x
24 ft. 11 in. x 10 ft.

11 in. (7.2 x 7.6 x
3.

3 m), Samuel F. B. Morse College,
Yale University” alt=”Lipstick (Ascending) on Caterpillar
Tracks, 1969-74, Cor-Ten steel, steel,
aluminum, cast resin; painted with
polyurethane enamel, 23 ft. 6 in.

x
24 ft. 11 in. x 10 ft. 11 in.

(7.2 x 7.6 x
3.3 m), Samuel F.

B. Morse College,
Yale University”>

Lipstick (Ascending) on Caterpillar
Tracks, 1969-74, Cor-Ten steel, steel,
aluminum, cast resin; painted with
polyurethane enamel, 23 ft. 6 in. x
24 ft.

11 in. x 10 ft. 11 in. (7.

2 x 7.6 x
3.3 m), Samuel F. B.

Morse College,
Yale University

Claes Oldenburg

Knife Ship I, 1985

Claes Oldenburg

Spoonbridge and Cherry, 1988, stainless steel and aluminum painted
with polyurethane enamel, 29 ft. 6 in. x 51 ft. 6 in.</p data-lazy-src=

x 13 ft. 6 in. (9 x
15.7 x 4.

1 m), Minneapolis Sculpture Garden, Walker Art Center,
Minneapolis” alt=”Spoonbridge and Cherry, 1988, stainless steel and aluminum painted
with polyurethane enamel, 29 ft. 6 in. x 51 ft. 6 in.

x 13 ft. 6 in. (9 x
15.7 x 4.

1 m), Minneapolis Sculpture Garden, Walker Art Center,
Minneapolis”>

Spoonbridge and Cherry, 1988, stainless steel and aluminum painted
with polyurethane enamel, 29 ft. 6 in. x 51 ft. 6 in.

x 13 ft. 6 in. (9 x
15.7 x 4.1 m), Minneapolis Sculpture Garden, Walker Art Center,
Minneapolis

Claes Oldenburg

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