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    Masaccio, Tickling Madonna (268 words)

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    Artist
    Masaccio
    Title and Location
    Tickling Madonna, Uffizi
    Date
    1426-1428
    Artistic and Historic Age
    Early renaissance, quattrocento, Florence
    Artist’s Life Period
    Masaccio died very young, just a couple years after the piece was completed. He was uninterested in traditional notions of beauty and was inspired by contemporary sculptors and ideas of his time.
    Technique
    Tempura on panel with gold background- color pallet very traditional of medieval period
    Preservation
    Damaged because it was carried around a lot as a personal item
    Patron and Original Location
    Commissioned by Cardinal Antonio Casini, who worked for the papacy and member of the Sienese dynasty, as evidenced by his coat of arms in the back of the painting
    Iconography
    Madonna is tickling her son, while the baby, full of joy, is wrapped in bandages, a typical practice of the time to ensure the baby’s legs grow straight
    -madonna pulls down the bandages so the baby can breathe and play
    -baby is wearing a necklace for good luck
    -very rare portrayal of the baby Jesus as a baby and not with mature features
    Style
    -Unified perspective and light source
    -Style is very synthetic, the body is contracted and the form is simplified, we do not see the nails or lines in the hands.
    -Aims to render bone structure, but not realistic detail.
    -Masaccio transforms the subject to daily situation and how people behave. He was the first to render subject the reality as if a photograph.
    -We see the humanization of the subject, where we see a mother playing with her son, as opposed to the holy Madonna and Jesus. Symbol of early renaissance.

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    Masaccio, Tickling Madonna (268 words). (2017, Sep 04). Retrieved from https://artscolumbia.org/masaccio-tickling-madonna-14336/

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