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    High Renaissance (+ Durer) Essay

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    Annunciation, da Vinci
1473
- Mary has her fingers in the Bible, suggesting foreknowledge of annunciation scene
- display of skill with painting drapery
- follows style of Flemish painters - but to suit Italian needs
    Annunciation, da Vinci
    1473
    – Mary has her fingers in the Bible, suggesting foreknowledge of annunciation scene
    – display of skill with painting drapery
    – follows style of Flemish painters – but to suit Italian needs
    Battle of the Nudes, Pollaiuolo
1470
- first mass-reproduced piece, made w etched bronze
- emphasis on the outer body, musculare in motion/distortion
    Battle of the Nudes, Pollaiuolo
    1470
    – first mass-reproduced piece, made w etched bronze
    – emphasis on the outer body, musculare in motion/distortion
    Dissection of a centenarian, da Vinci
1507-8
- Unlike others, da Vinci showed great interest into the internal workings of a human
- wanted to find where in the body life was generated and where the soul lives
    Dissection of a centenarian, da Vinci
    1507-8
    – Unlike others, da Vinci showed great interest into the internal workings of a human
    – wanted to find where in the body life was generated and where the soul lives
    Tomb of Julius II slaves, Michelangelo
1513-1515
- figures embody various emotional states: defeat, rebellion
- contorted bodies reflect Michelangelo's inspiration by Laocoon and Belvedere torso
    Tomb of Julius II slaves, Michelangelo
    1513-1515
    – figures embody various emotional states: defeat, rebellion
    – contorted bodies reflect Michelangelo’s inspiration by Laocoon and Belvedere torso
    Last supper, da Vinci
1495-1498
- unlike other depictions of the time, the figures are dynamic
- very clear story is told through the image
- Judas is not made clear
    Last supper, da Vinci
    1495-1498
    – unlike other depictions of the time, the figures are dynamic
    – very clear story is told through the image
    – Judas is not made clear
    Madonna and Child with St. Anne and St. John, da Vinci
1505-1507
- figures resemble ancient greek sculpture
- coalesce to form a single being in composition
- Leonardo's color scheme
    Madonna and Child with St. Anne and St.

    John, da Vinci
    1505-1507
    – figures resemble ancient greek sculpture
    – coalesce to form a single being in composition
    – Leonardo’s color scheme

    Vitruvian Man, da Vinci
1485-1490
- attempted to relate the human body to perfect forms like square and circle
    Vitruvian Man, da Vinci
    1485-1490
    – attempted to relate the human body to perfect forms like square and circle
    Tempietto, Bramante
1502
- site of execution of St Peter, the first pope
-
    Tempietto, Bramante
    1502
    – site of execution of St Peter, the first pope
    – “perfect” architecture in terms of proportions, symmetry, etc.
    School of Athens, Raphael
1509-11
- represents philosophy
- able to distinguish all figures just from visual cues
- Plato is pointing up, Aristotle is pointing down
    School of Athens, Raphael
    1509-11
    – represents philosophy
    – able to distinguish all figures just from visual cues
    – Plato is pointing up, Aristotle is pointing down
    San Zaccaria Altarpiece, Bellini
1505
- Venetian Art
    San Zaccaria Altarpiece, Bellini
    1505
    – Venetian Art
    Durer as Jesus, Albrecht Durer
1500
    Durer as Jesus, Albrecht Durer
    1500
    Apocalypse, Durer
1499
    Apocalypse, Durer
    1499
    Feast of the Rosary, Durer
1506
-only altarpiece painted by Durer, he considered it greater than the Italian altarpieces
    Feast of the Rosary, Durer
    1506
    -only altarpiece painted by Durer, he considered it greater than the Italian altarpieces
    Great Piece of Turf, Durer
1503
    Great Piece of Turf, Durer
    1503
    Madonna in the Meadow, Raphael
1505
- pyramidal composition
- subtle chiaroscuro
- style change to follow Leo's sensational style
    Madonna in the Meadow, Raphael
    1505
    – pyramidal composition
    – subtle chiaroscuro
    – style change to follow Leo’s sensational style
    Sistine Chapel Ceiling, Michelangelo
1508-12
- ignudi are various nude youths strewn around the scene, become more agitated the closer they are to God
- prophets and sibyls are seated on thrones around the chapel ceiling
- Virgin Mary and Christ child behind God @ creation of Man scene
- drunkenness of noah resembles normal, conservative painting
    Sistine Chapel Ceiling, Michelangelo
    1508-12
    – ignudi are various nude youths strewn around the scene, become more agitated the closer they are to God
    – prophets and sibyls are seated on thrones around the chapel ceiling
    – Virgin Mary and Christ child behind God @ creation of Man scene
    – drunkenness of noah resembles normal, conservative painting

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