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    Art History: Female Figures in Ancient Greek Sculpture Expository Essay

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    The ancient Greeks were one of the oldest civilizations in our world. Their culture, ideas, religion, and art were spreading all over the world day by day. Ancient Greek sculpture deserves attention because of its uniqueness and richness. Greeks had a wonderful opportunity to use different kinds of marble, bronze, stones, and wood.

    The development of female figures in ancient Greek sculpture was noticeable during those times. Each period added something new. The influence of other countries and their cultures was reflected in almost each piece of work, and female sculptures were one of the brightest examples.

    Ancient Greek sculpture was characterized by numerous works of nude women. However, it does not mean that Greek men had a kind of disrespect to their women. Ancient Greek women were portrayed rather respectfully.

    If nudity is considered to be a sign of sex or predilection for sex, it is necessary to admit that ancient Greek sculptors used males as sex objects oftener than they used females. Most of the sculptors in Ancient Greece were men, and the role of women was to inspire their men.

    Men used women as models for their sculptures to present the images of real women, real life, with its advantages and disadvantages.

    The Classical period in ancient Greek sculpture presented the most exciting pieces of art. In spite of the fact that the Persians Wars blew up the economical and other spheres of the Empire, Greek found out new technologies and methods to improve the situation.

    The classical Greek style was characterized unbelievable freedom of movements and feelings. Greek sculptures represented people’s life with its speed, changes, and emotions.

    Even if female Greek sculptures could not move, the artists, as magicians, made people believe that at the beginning, that sculpture moved, and now it was frozen, for those, who observed it. Women’s nudity was not forgotten as well. In order to help own husbands, women spend days and nights posing.

    Such idea to present moving people raised ancient Greek sculpture once again and proved that talented people can save their country and its traditions even by means of art. “The sculptures of the classical period show an obsession with the human figure and with drapery.”

    The Late Classical period in the ancient Greek sculpture was known as a period of artistic decline. The Peloponnesian War was the major reason of why Greece lost its supremacy.

    The influence of Christianity made lots sculptors create less naked sculptures (and it was the key of all Greece sculptures ever). During the Late Classical period, the large components of all sculptures were portrait statues. Sculptors paid more attention to people’s features. It was a novelty for those times.

    After people paid attention only to female’s bodies, naked bodies, such changes turned out to be rather significant. It became more popular to present males’ portraits. Lots of sculptures were devoted to men, who defended the Empire. The image of women was almost forgotten.

    Even in sculpture, women play a very important role. Specially, it concerns Ancient Greece, to be more exact, the ancient Greek sculpture. Greek sculptors got used to create male figures to underline their power and significance for the country.

    However, the role of female figures still remain considerable. Each period of ancient Greek sculpture created certain limitations and added something new.

    The material for sculptures changed as well. First, it was wood and stone, with time, Greek sculptors started to use marble and bronze. Such changes provided people with the opportunities to enjoy colours and lights for lots of years.

    This essay was written by a fellow student. You may use it as a guide or sample for writing your own paper, but remember to cite it correctly. Don’t submit it as your own as it will be considered plagiarism.

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    Art History: Female Figures in Ancient Greek Sculpture Expository Essay. (2023, Jan 12). Retrieved from

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